technical rider - Tamara Obrovac transhistria ensemble

TECHNICAL RIDER - Tamara Obrovac transhistria ensemble
* subject to change, adaptations are always possible when discussed earlier

ACCOMODATION

5 single bedrooms, hotel/or other accommodation 3* minimum, with private facilities, preferably at walking distance from the venue

TRANSPORTATION - if the band is coming by plane

all necessary local ground transportation from/to airport to venue/restaurant/hotel 1 mini-buss (or any equivalent transportation), 5 passengers and the private luggage and instruments; guitar, mandolin, accordion, double bass, (if not provided) cymbals.

CATERING & MEALS - za svaki od dogovorenih nastupa

• 1 full hot dinner for 5 people after the concert; 1 vegetarian, (preferably local cuisine), preferably steaks, fish etc. including beverages, high quality red vine (cabernet/shiraz etc.) beer, natural water.
• catering in the dressing-rooms ready for sound check and concert
light snacks (sandwiches, chips, fruit, cheese, ham, fresh salads, etc), coca cola, beer, local red vine, cabernet /shiraz / or similar, and grappa or whiskey
• natural and non fizzy water, NOT cold for Tamara, (also on stage during the performance)
• 1 lockable dressing-room for sole use of 4 artists
• 1 lockable dressing-room with mirror and private facilities for Tamara Obrovac

BACKLINE - if the band is coming by plane, or from distant location

LINE UP: voice/flute, acc. guitar/mandolin/back-vocal, accordion, double bass/back-vocal, drums

DRUMS:
Any vintage (70’s or older) with *Remo ambassador white coated* heads, preferably Gretch Vintage (50's, 60’s or 70's) USA Custom, New Classic, Renown Maple, Catalina Jazz Club, or Ludwig, Slingerland, Rogers, or any new Yamaha set with *Remo white coated heads*.
Sizes: 18" or 20" bass drum, 14’ snare drum, 12" tom, 14" or 16" floor tom.
Cymbals: Istanbul Agop, Bosphorus, Turkish, Dream or Zildjian K /Sizes: 20" ride, 16" crash, 14" hi hat
*Important: All cymbals should be *lightest jazz models*, or just 4 light crash cymbals in sizes 20,16,14,14.
Hardware: 2 cymbal stands, light as possible, straight-no boom.
2 snare drum stands
hi hat stand- simple light model
bass drum pedal- light, simple
drum chair - a good one, with a seat that does not move when in use.

DOUBLE BASS:
3/4 size acoustic double-bass from an excellent maker (David Gage Czech-ease road bass is fine) with adjustable bridge, (pick-up is optional, see OPTIONS 1 and 2)
OPTION 1: (REGULAR) 1x XLR cable with phantom power, 1x monitor, bass amp and pick up are not necessary bassist brings his own DPA 4099B clip-on microphone
OPTION 2: (ON REQUEST) 1 bass amplifier 80 W or more - GALIEN-KRUEGER, preferably "MB" series-EBS, preferably "DROME", ACOUSTIC IMAGE, PHIL JONES, AMPEG or TRACE ELIOT / preferable cabinet configuration: 1x10 or 1x12 or 2x10 (in the case of OPTION 2 please provide the same DPA 4099B clip microphone)

OTHER:
• 2 padded stools for the guitar and accordion player (no armrest), preferably black, orchestral chairs
• if accordion plays S. Zanchini: on stage: 1 case ca. 50/50 for own gear electr. source-x3/mic stand-lower part
• two high stools for double bass and lead vocal, no armrest (optional)
• 1 mic. stand (lower part) for AER guitar amplifier
• 4 black solid note stands with individual lights

PA SYSTEM, SOUND SYSTEM, SOUND ENGINEERS etc. / according to the venue
• monitors :
five, 5 groups, separate mix (preferably on stage)
• mixer :
top quality at least 16 channels, / 2x param.EQ per ch./6 aux (Soundcraft, Midas, Mackie, Yamaha, ALLEN & HEAT)
• reverb :
Lexicon, PCM 70/90 ,LXP 15, MPX 1 (good reverb)
• compressor / limiter:
top quality for vocal DBX, BSS, DRAWMER
• power amps:
top quality professional brand ( power depending on the size of the venue)
• 31-band graphic E.Q., preferably Apex or Klark Teknik
• speakers:
top quality professional brand, Martin, Meyer sound, KV 2 Audio, L–ACOUSTIC, d&b, or similar
• stage lights:
warm lightning without strong colours, front and rear, with an independent electricity source
• professional sound and light engineer with experience in jazz concerts

TAMARA OBROVAC transhistria ensemble / stage plot:

TAMARA OBROVAC transhistria ensemble / INPUT LIST

* option 1: bandoneon (Fausto. Beccalossi): 2 mics
* option 2: piano accordion(Simone Zanchini): 2 x D.I./case 50x50 for own gear/electr. source 3x/1 mic stand

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