TECHNICAL RIDER - Tamara Obrovac transhistria ensemble / époque quartet
* subject to change, adaptations are always possible when discussed earlier
ACCOMODATION
preferably 9 singles, or 5 singles and 2 double bedrooms, hotel/or other accommodation 3* minimum, with private facilities, preferably at short walking distance from the venue
TRANSPORTATION - if the band is coming by plane
all necessary local ground transportation from/to airport to venue/restaurant/hotel
1 mini-buss, (or any equivalent transportation) for 9 passengers and the luggage/instruments; guitar, mandolin, accordion, double bass, (if not provided) cymbals, 2 violins, viola cello.
CATERING & MEALS will be provided by the Promoter for each one of the performances:
• 1 full hot dinner for 9 people after the concert; 1 vegetarian, (preferably local cuisine), steaks, fish etc. incl. beverages; high quality red vine (cabernet/shiraz etc.) min. 4 beers, natural water.
• catering in the dressing-rooms ready for sound check and concert
light snacks (sandwiches, chips, fruit, cheese, ham, fresh salads, olive oil, etc, coca cola, min 4 beers, high quality red vine, cabernet /shiraz / or similar, and grappa/whiskey
• natural and non fizzy water, NOT cold for Tamara, (also on stage during the performance)
• 1 lockable dressing-room for sole use of 4 artists
• 1 lockable dressing-room with mirror and private facilities for Tamara Obrovac
BACKLINE - if the band is coming by plane, or from distant location
LINEUP: voice/flute, ac guitar/mandolin/back-vocal, accordion, double bass/back-vocal, drums, vl1, vl2, vla, vlc
DRUMS:
Any vintage (70’s or older) with *Remo ambassador white coated* heads, preferably Gretch Vintage (50's, 60’s or 70's) USA Custom, New Classic, Renown Maple, Catalina Jazz Club, or Ludwig, Slingerland, Rogers, or any new Yamaha set with *Remo white coated heads*.
Sizes: 18" or 20" bass drum, 12" tom, 14" or 16" floor tom
Cymbals: Istanbul Agop, Bosphorus, Turkish, Dream or Zildjian K
Sizes: 20" ride, 16" crash, 14" hi hat
*Important: All cymbals should be *lightest jazz models*, or just 4 light crash cymbals in sizes 20,16,14,14.
Hardware:
2 cymbal stands, light as possible, straight-no boom.
2 snare drum stands
hi hat stand- simple light model
bass drum pedal- light, simple
drum chair - a good one, with a seat that does not move when in use.
DOUBLE BASS:
3/4 size acoustic double-bass from an excellent maker (David Gage Czech-ease road bass is fine) with adjustable bridge, (pick-up is optional, see OPTIONS 1 and 2)
OPTION 1: (REGULAR) 1x XLR cable with phantom power, 1x monitor, bass amp and pick up are not necessary, bassist brings his own DPA 4099B clip-on microphone
OPTION 2: (ON REQUEST) 1 bass amplifier 80 W or more - GALIEN-KRUEGER, preferably "MB" series-EBS, preferably "DROME", ACOUSTIC IMAGE, PHIL JONES, AMPEG or TRACE ELIOT / preferable cabinet configuration: 1x10 or 1x12 or 2x10 (in the case of OPTION 2 please provide the same DPA 4099B clip microphone)
OTHER:
• 6 padded orchestra chairs (no armrest) for: guitar/ accordion / violin1 /violin2 /cello/viola
• two high stools for double bass and lead vocal, no armrest (optional)
• 1 mic. stand (lower part) for AER guitar amplifier
• 8 black solid note stands with individual lights
TAMARA OBROVAC transhistria ensemble - époque string quartet / stage plot:
PA SYSTEM, SOUND SYSTEM, SOUND ENGINEERS etc. / according to the venue
• monitors: six, 6 groups, separate mix (preferably on stage) • mixer: top quality at least 24 channels, / 2x param. EQ per ch./6 aux (Soundcraft, Midas, Mackie, Yamaha, ALLEN & HEAT) • reverb: Lexicon, PCM 70/90, LXP 15, MPX 1 (good reverb) • compressor / limiter: top quality for vocal DBX, BSS, DRAWMER • power amps: top quality professional brand (power depending on the size of the venue) • 31-band graphic E.Q., preferably Apex or Klark Teknik • speakers: top quality professional brand, Martin, Meyer sound, KV 2 Audio, L–ACOUSTIC, d&b, or similar • stage lights: warm lightning without strong colors, with minimum changes during the performance, front and rear, with an independent electricity source • professional sound and light engineer with experience in jazz concerts
TAMARA OBROVAC transhistria ensemble - époque string quartet / INPUT LIST
|
CH |
INSTRUMENT |
MIC .-D.I.- XLR |
PH/48V |
INSERTS |
MIC.STAND(K&M) |
|
1 |
KICK- mic not inside please |
AKG D112/Shure BETA 52 |
SHORT BOOM |
||
|
2 |
SNARE |
SENN. MD 421/Shure SM 57 |
SHORT BOOM |
||
|
3 |
OH L |
AKG C451/KM 184 |
48V |
TRIPOD BOOM |
|
|
4 |
OH R |
AKG C451/KM 184 |
48V |
TRIPOD BOOM |
|
|
5 |
DOUBLE-BASS D.I. |
D.I BSS AR133 |
COMP. |
- |
|
|
6 |
DOUBLE-BASS MIC |
DPA 4099B clip on |
48V |
SHORT BOOM |
|
|
7 |
GUITAR D.I. |
XLR-own D.I. from AER amp |
|||
|
8 |
GUITAR microphone |
AKG C414/C451/OKT.MK012 |
48V |
SHORT BOOM |
|
|
9 |
MANDOLINE D.I. |
D.I. BSS AR133 |
|||
|
10 |
MANDOLINE MIC |
AKG C 451 /Neum.KM184/ OKT. MK012 |
TRIPOD BOOM |
||
|
11* |
ACCORDION LH |
AKG C 451 / SENN. MD441 |
48V |
TRIPOD BOOM |
|
|
12* |
ACCORDION RH |
AKG C414 B/SENN.MD441 D.I. BSS AR133 |
48V |
TRIPOD BOOM |
|
|
13 |
L.VOX /FLUTE TAMARA* |
Neumann KMS 105 own mic |
48V |
TRIPOD BOOM |
|
| * NO ANNOUNCEMENTS ON THIS MIC PLEASE, for announcement please provide an other microphone * NO SOUND TESTING ON THIS MIC BY ANYONE EXCEPT Tamara, only here handle this mic. please |
|||||
|
14 |
SHOW ANOUNCEMENT MIC |
Shure SM 58/87 |
(if needed) |
||
|
15 |
BAC VOX /DOUBLE-BASS |
Shure SM 58/87 |
TRIPOD BOOM |
||
|
16 |
BACK VOX /GUITAR |
Shure SM 58/87 |
TRIPOD BOOM |
||
| 17 | VIOLIN 1 | Neumann KM 84/184/AKG C451/OKTAVA MK012 | TRIPOD BOOM | ||
| 18 | VIOLIN 2 | Neumann KM 84/184/AKG C451/OKTAVA MK012 | TRIPOD BOOM | ||
| 19 | VIOLA | AKG C 451 C | TRIPOD BOOM | ||
| 20 | CELLO | AKG C 414 B | SHORT BOOM | ||
|
21 |
REV 1 L |
LEXICON/ TC ELECTRONICS |
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|
22 |
REV 1 R |
LEXICON/ TC ELECTRONICS |
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|
23 |
REV 2 L |
LEXICON/ TC ELECTRONICS |
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|
24 |
REV 2 R |
LEXICON/ TC ELECTRONICS |
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* please provide for possible announcement