In this new project Tamara has once again given an unique musical concept, which successfully transposes combination of jazz and inspiration with the traditional music, to music of the modern age.
Remaining faithful to her expression in which she blends Istrian tradition and contemporary jazz, on this album Tamara presents new compositions written purposefully for this new musical formation in which, in addition to her enduring collaborator Krunoslav Levačić on drums, she is also joined by two great Italian musicians; Stefano Battaglia on piano and Salvatore Maiore on double bass.
With this musical material together with her excellent musicians she is presenting slightly different, more intimate musical aesthetics.
This Tamara's 12th author album and her 4th edition for international labels, was recorded in January 2019 in the studio of the Music Academy in Zagreb, recorded mixed and mastered by Bernard Mihalić from Studio Podmornica.
Release tour started with the concert on Trondheim JazzFest in Norway, followed by concerts in Austria, Slovenia and Croatia.
02.05.2019. POU / Theatre, Poreč (HR)
10.05.2019. Trondheim Jazz Fest (NO)
10.06.2019. Porgy & Bess, Wien (AT)
11.06.2019. KC Janeza Trdine, Novo Mesto (SLO)
12.06.2019. Jazz.hr Festival, Zagreb (HR)
07.09.2019. Rab Jazz Festival (HR)
11.02.2020. HKD concert venue, Rijeka (HR)
13.02.2020. video recording session
14.02.2020. Istrian National Theatre, Pula (HR)
15.02.2020. Kulturforum Amthof, Feldkirchen (AT)
02.05.2020. Dubrovnik Jazz Outbreak (HR)
(more dates soon)
“Tamara Obrovac - a new and exciting acquaintance ...with her fine trio, she gave us a supplement of something we didn't know we needed."
Trondheim Jazz Festival - concert review by Tor Hammerø, May 2019 (NO)
Apotheosis of sensibility
"The album and the promotional concert are the confirmation of a series of wonders abounding in the music of Tamara Obrovac. Through her music, she speaks about life and easily transforms her personal, concrete experiences into universal truths. With an archaic language, she manages to communicate in a modern and appealing way. This is an apotheosis of Istria, of its melodies and of jazz. A jazz that in Tamara Obrovac combines, seemingly completely distant differences. Above all, this is the apotheosis of a deep and sincere sensibility.”
Jazz.hr Festival - concert review by Saša Drach, Cantus, July 2019 (HR)
"On the new CD, the outstanding Croatian singer Tamara Obrovac remains in her specific sentimental space, of course, at the highest level, with a music codex and messages that shy away from the superficial.
Obrovac sings about night hags, slaves, pain in one’s soul and the glint of tears. Touching.
Of course, this venture is only possible with congenial musicians – Tamara’s Croatian drummer Krunoslav Levačić and two top-class Italian musicians: Stefano Battaglia on piano and Salvatore Maiore on double bass."
Ernst Weiss, Concerto magazine, June 2019 (AT)
"Published on the international market, the TransAdriaticum CD is a great export product.
TransAdriaticum is a great example of local music that is suitable for world-export, not only because it shares the same values and cultural importance of recognizing a new era but because of its understanding and feeling of both the traditional and contemporary jazz, use of the local “spices” and the brilliant, graceful performance of Tamara Obrovac and her musicians.
Tamara Obrovac has long been performing abroad and the old saying that if you dip your toe into the ocean you are connected to the whole world can certainly apply here. Of course, if such “toes”, her collaborators and her unique vocals, produce such exciting music.
This time with a new set up and a different tone, Tamara again confirmed that she is a leading Croatian musician who regularly achieves a unique “full-on” contact with her collaborators, which consequently produces such feats."
Hrvoje Horvat, Večernji list, August 2019 (HR)
The strenght and the greatness of an individual musical expression
"An excellent contemporary jazz album that will surely arouse great interest among jazz lovers around the world..."
Dubravko Jagatić, Nacional, September 2019 (HR)
“On this “Transadriaticum” album, Tamara Obrovac again confirmed her unique contact with her musicians and once again proved as a great example that even local music can become a product of worldwide export! Beautiful!”
Patrick Španko, SKJazz, September 2019 (SK)
"The selection of collaborators, the identity of this quartet, the search for balance in the dramaturgy of the compositions as well as the right balance of power in the subtlety ratios of the expressiveness and unbridled improvisation are the reasons why Transadriaticum may be one of Tamara’s best albums ever.”
HRT - Croatian radiotelevision, October 2019 (HR)
"TransAdriaticum exudes with refined interactions, Tamara’s interpretation and an extraordinarily nuanced overall dynamics of songs that - though mostly sad and introspective - radiate an extraordinary passion for life."
Mario Batelić, Radio Študent, October 2019 (SLO)
“With her emotional and distinctive way of singing and the compositions in which she weaves Istrian musical motifs with those of different parts of the Mediterranean and America from which jazz derives that she performs and uses as a catalyst for other musical styles, Tamara Obrovac presents her deepest and most traditional roots in a modern and avant-garde, but never vague or vain way.”
Aleksandar Dragaš, Jutarnji list, October 2019 (HR)
"A charming and profound record, also remarkable for the quality of the production and a distinguished sound: a work that stirs an undeniable interest for handwriting and interpretation, thanks to the first-rate instrumentalists and the intense sensitivity of the vocalist."
Ciro De Rosa, Blogfoolk.com, November 2019 (IT)